Gambians are known for their excellent music, as well as their dancing. Although Gambia is the smallest country on mainland Africa, its culture is the product of very diverse influences. The national borders outline a narrow strip on either side of the River Gambia, a body of water that has played a vital part in the nation's destiny and is known locally simply as "The River." Without natural barriers, Gambia has become home to most of the ethnic groups that are present throughout western Africa, especially those in Senegal.

Europeans also figure prominently in the nation's history because the River Gambia is navigable deep into the continent, a geographic feature that made this area one of the most profitable sites for the slave trade from the 15th through the 17th centuries. (It also made it strategic to the halt of this trade once it was outlawed in the 19th century.) Some of this history was popularized in the Alex Haley book and TV series Roots which was set in Gambia. Although much of Haley's depiction of the past has been discredited in certain quarters, the Gambian government has embraced the opportunity to serve as a cultural center for the African diaspora and for others seeking to better understand the rich heritage of African people.

Music in The Gambia
The Gambia is a West African country closely linked musically with its neighbor, Senegal. Griots, (also known as Jelis), a kind of hereditary praise-singer, are common throughout the region, a legacy of the ancient Mande Empire. Gambian Griots often play the kora, a 21 string harp.

Modern ethnic Mande in The Gambia are called the Mandinka, and they make up around 36 per cent of the country's population. The region of Brikama has produced some very famous musicians, including Amadou Bansang Jobarteh and Foday Musa Suso. The latter founded the Mandingo Griot Society in New York City in the 1970s, bringing Mande music to the New York avant-garde scene and collaborating with Bill Laswell, Philip Glass and the Kronos Quartet.

Gambian popular music began in the 1960s, when The Super Eagles and Guelewar formed while hip bands were playing American, British and Cuban music. The Super Eagles went to London in 1977, appearing on Mike Raven's Band Call. They played merengue and other pop genres with an African flourish, including Wolof lyrics and minor stylistic elements. After the performance, the band began jamming out some traditional tunes and an unknown man heard, told the group that that was the style they should be playing. This inspired the group to return to their country's musical roots, and they spent two years travelling around The Gambia and studying traditional music. The reformed band was called Ifang Bondi, and their style was Afro-Manding blues.